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<p>If the <a href="https://www.theatlantic.com/liveblogs/2017/02/2017-oscars/517761/">last-minute twist at the Oscars</a> was <a href="https://twitter.com/fmanjoo/status/836085336027455489">seen</a> to echo all the last-minute twists in American culture lately—the Super Bowl, the election—a silly <a href="http://abc.go.com/shows/oscars/video/most-recent/VDKA3703864">five-minute segment</a> earlier in the night should be noted for what it captured about the country’s ongoing tensions and tastes in iPhone peripherals.</p>

<p>Host Jimmy Kimmel’s team arranged for a sightseeing bus of supposedly “real” tourists to walk into the room, expecting a museum exhibit about the Oscars but instead finding themselves in the middle of the actual thing. “Welcome to the Dolby Theater,” Kimmel announced. “This is the home of the Academy Awards, which are, in fact, happening right now.”</p>

<blockquote class="twitter-video" data-lang="en">
<p dir="ltr" lang="en">The greatest Hollywood tour bus trip EVER ... <a href="https://twitter.com/starlinetours">@StarLineTours</a> <a href="https://twitter.com/hashtag/Oscars?src=hash">#Oscars</a> <a href="https://t.co/hUsuhPQf0I">pic.twitter.com/hUsuhPQf0I</a></p>
— Jimmy Kimmel (@jimmykimmel) <a href="https://twitter.com/jimmykimmel/status/836210583246548992">February 27, 2017</a></blockquote>
<script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script>

<p>The bit was both amusing and squirmy: a weird microcosm of Hollywood’s relationship with America, America’s relationship with the media, and Jimmy Kimmel’s ability to make everything a little more awkward than it needs to be.</p>

<h4><font face="Lyon Display, Georgia, Times, serif">The Hunger for Folk Heroes (and Memes)</font></h4>

<p>At the front of the pack was the man who would be the moment’s breakout star, “Gary from Chicago.” In a room of tuxes, he wore basketball shorts, a baseball cap, and a “Hollywood” sweatshirt, with the gender-progressive touches of a purple phone case and a bag that might have been his fiancee’s purse. If the glitz ambush intimidated him, he showed no signs of it, happily introducing himself to stars and snappily replying to Kimmel’s jokes. On social media, pop culture’s craving for quirky symbolic everymen—see: Ken Bone, Joe the Plumber—quickly <a href="http://www.nytimes.com/2017/02/27/movies/oscars-audience-wonders-who-is-gary-from-chicago.html?_r=0">made itself known</a>. So did the cravings of<strong> </strong><a href="https://twitter.com/ginoseast/status/836059060168425472?ref_src=twsrc%5Etfw">various corporate marketing teams</a>.</p>

<h4>Our Collective Phone Addiction</h4>

<p>The dozen or so tourists seemed to realize what was happening at different rates, and with different emotions—fear, elation, nonchalance—but were united in keeping their phones in front of their faces. “You know we’re on TV so you don’t need to do that,” Kimmel said as Gary kept filming the room. His reply: “I know but I want to. I want to.”</p>

<p>The phone accessories themselves could make for a post-show fashion column: one woman had a sparkling jeweled case, another wielded a selfie stick as if it were a talisman. Devices in hand, the group pulled celebs in for selfies; Gary even handed his phone to Mahershala Ali as he posed with the actor’s Oscar.</p>

<p>For the tourists, it was a rare chance to see in the flesh people normally only ever seen on a screen. Yet they still insisted on having a screen between them.</p>

<h4>Piercing the Hollywood Bubble …</h4>

<p>In an era when Americans have become sharply aware of how isolated its various niches are—politically, socially, geographically—workaday citizens from around the country were literally bussed in for cultural exchange with the cultural elite. The stars received them warmly: Ryan Gosling offered up some sort of present to Gary, Jennifer Anniston handed over her sunglasses, Meryl and Mahershala and others grinned and hugged. Denzel Washington even<strong> </strong>“married”<strong> </strong>Gary and his fiancee Vicky, though it must be said this particular cinematic icon seemed in a bit of a hurry to return to his seat.</p>

<h4>… or Reinforcing It</h4>

<p>The alternate political reading of the moment was that the regular folks were treated patronizingly, expected to react with gratitude and awe at the mere fact of breathing the same air as famous people. Kimmel seemed a little too insistent that the tourists be wowed, and an awkward image was set when Gary started kissing actresses’ hands: He wanted to do it, but it looked a lot like royalty receiving a supplicant. “Well that was the most condescending moment in Oscars<strike> </strike>history,” the writer Walter Kirn <a href="https://twitter.com/walterkirn/status/836054075263217664">tweeted</a>. “Real people on parade. Weren’t they cute?”</p>

<figure><img alt="" height="390" src="https://cdn.theatlantic.com/assets/media/img/posts/2017/02/RTS10HTH/efe2c175b.jpg" width="630" />
<figcaption class="credit">Lucy Nicholson / Reuters</figcaption>
</figure>

<h4><font face="Lyon Display, Georgia, Times, serif">Oscars (Host) So White</font></h4>

<p>The tourists were a mix of white and black and brown men and women. But Kimmel made the diversity seem anything but normal by using tired humor about “funny” names—which is to say, names unusual to white Americans. As the tourists entered the room, he had the crowd shout out “MAHERSHALA!,” the name of <em>Moonlight</em>’s Best Supporting Actor winner. Later, Kimmel reacted with horror when a woman of Asian descent told Kimmel her name rhymed with “jewelry.” When her husband said his name was Patrick, Kimmel replied with mock relief, “See, that’s a name.”</p>

<p>At an event that has recently been accused of white supremacy, this was a pretty tone-deaf shtick. But Gary, of course, helped deflate it. “I feel like you’re ignoring the white celebrities,” Kimmel said. Gary: “Because I am, though!”</p>

<h4><font face="Lyon Display, Georgia, Times, serif">The Insanity of Live TV</font></h4>

<p>My stress reflexes were in full effect watching the segment, and judging from the cringing reactions on Twitter, I wasn’t alone. It’s definitely possible the tourists were just actors, or that they’d at least been coached to a greater extent than we were led to believe. But still, the spectacle of chaos in a space as highly choreographed, as widely watched, and as culturally fraught as the Oscars was riveting. At the very end of the night, viewers would be reminded of what makes live TV like this so electrifying—the potential for disaster, and miracles.</p>

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content: "\n\n \n<figure class=\"lead-image\">\n\n    \n        \n        \n        \n
  \           \n            <img\n                src=\"http://cdn.thewire.com/media/img/mt/2017/02/AP_17058233854185/lead_large.jpg\"\n
  \               alt=\"Image \"\n                title=\"Five Ways of Seeing Five
  Minutes of &#39;Real People&#39; at the Oscars\"\n            >\n        \n        \n
  \   \n\n\n    \n    \n\n</figure>\n\n<p>If the <a href=\"https://www.theatlantic.com/liveblogs/2017/02/2017-oscars/517761/\">last-minute
  twist at the Oscars</a> was <a href=\"https://twitter.com/fmanjoo/status/836085336027455489\">seen</a>
  to echo all the last-minute twists in American culture lately—the Super Bowl, the
  election—a silly <a href=\"http://abc.go.com/shows/oscars/video/most-recent/VDKA3703864\">five-minute
  segment</a> earlier in the night should be noted for what it captured about the
  country’s ongoing tensions and tastes in iPhone peripherals.</p>\n\n<p>Host Jimmy
  Kimmel’s team arranged for a sightseeing bus of supposedly “real” tourists to walk
  into the room, expecting a museum exhibit about the Oscars but instead finding themselves
  in the middle of the actual thing. “Welcome to the Dolby Theater,” Kimmel announced.
  “This is the home of the Academy Awards, which are, in fact, happening right now.”</p>\n\n<blockquote
  class=\"twitter-video\" data-lang=\"en\">\n<p dir=\"ltr\" lang=\"en\">The greatest
  Hollywood tour bus trip EVER ... <a href=\"https://twitter.com/starlinetours\">@StarLineTours</a>
  <a href=\"https://twitter.com/hashtag/Oscars?src=hash\">#Oscars</a> <a href=\"https://t.co/hUsuhPQf0I\">pic.twitter.com/hUsuhPQf0I</a></p>\n—
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  it needs to be.</p>\n\n<aside class=\"callout-placeholder\" data-source=\"curated\"></aside>\n\n<h4><font
  face=\"Lyon Display, Georgia, Times, serif\">The Hunger for Folk Heroes (and Memes)</font></h4>\n\n<p>At
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  from Chicago.” In a room of tuxes, he wore basketball shorts, a baseball cap, and
  a “Hollywood” sweatshirt, with the gender-progressive touches of a purple phone
  case and a bag that might have been his fiancee’s purse. If the glitz ambush intimidated
  him, he showed no signs of it, happily introducing himself to stars and snappily
  replying to Kimmel’s jokes. On social media, pop culture’s craving for quirky symbolic
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  with different emotions—fear, elation, nonchalance—but were united in keeping their
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  Gary even handed his phone to Mahershala Ali as he posed with the actor’s Oscar.</p>\n\n<p>For
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  some sort of present to Gary, Jennifer Anniston handed over her sunglasses, Meryl
  and Mahershala and others grinned and hugged. Denzel Washington even<strong> </strong>“married”<strong>
  </strong>Gary and his fiancee Vicky, though it must be said this particular cinematic
  icon seemed in a bit of a hurry to return to his seat.</p>\n\n<h4>… or Reinforcing
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  folks were treated patronizingly, expected to react with gratitude and awe at the
  mere fact of breathing the same air as famous people. Kimmel seemed a little too
  insistent that the tourists be wowed, and an awkward image was set when Gary started
  kissing actresses’ hands: He wanted to do it, but it looked a lot like royalty receiving
  a supplicant. “Well that was the most condescending moment in Oscars<strike> </strike>history,”
  the writer Walter Kirn <a href=\"https://twitter.com/walterkirn/status/836054075263217664\">tweeted</a>.
  “Real people on parade. Weren’t they cute?”</p>\n\n<figure><img alt=\"\" height=\"390\"
  src=\"https://cdn.theatlantic.com/assets/media/img/posts/2017/02/RTS10HTH/efe2c175b.jpg\"
  width=\"630\" />\n<figcaption class=\"credit\">Lucy Nicholson / Reuters</figcaption>\n</figure>\n\n<h4><font
  face=\"Lyon Display, Georgia, Times, serif\">Oscars (Host) So White</font></h4>\n\n<p>The
  tourists were a mix of white and black and brown men and women. But Kimmel made
  the diversity seem anything but normal by using tired humor about “funny” names—which
  is to say, names unusual to white Americans. As the tourists entered the room, he
  had the crowd shout out “MAHERSHALA!,” the name of <em>Moonlight</em>’s Best Supporting
  Actor winner. Later, Kimmel reacted with horror when a woman of Asian descent told
  Kimmel her name rhymed with “jewelry.” When her husband said his name was Patrick,
  Kimmel replied with mock relief, “See, that’s a name.”</p>\n\n<p>At an event that
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  Kimmel said. Gary: “Because I am, though!”</p>\n\n<h4><font face=\"Lyon Display,
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  or that they’d at least been coached to a greater extent than we were led to believe.
  But still, the spectacle of chaos in a space as highly choreographed, as widely
  watched, and as culturally fraught as the Oscars was riveting. At the very end of
  the night, viewers would be reminded of what makes live TV like this so electrifying—the
  potential for disaster, and miracles.</p>\n"
author: Spencer Kornhaber
title_type:
published: 2017-02-27 17:23:00.000000000 Z
summary: Did the prank with “Gary from Chicago” and his band of tourists humble Hollywood—or
  just condescend?
links:
- https://www.theatlantic.com/entertainment/archive/2017/02/oscars-real-people/517899/
title: Five Ways of Seeing Five Minutes of 'Real People' at the Oscars
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url: https://www.theatlantic.com/entertainment/archive/2017/02/oscars-real-people/517899/

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